Homework Should Be Banned free essay sample

Homework has been given to students because teachers believe it helps them remember what they learn at school, and helps them learn the material better. As been said from teachers and parents â€Å"Homework is super helpful in learning and processing the material learned in class.† No kid have said that, ever. Too much homework is not helpful, and can be unhealthy. Excessive amounts of time spent on homework can take away from kids social lives, family time, and sports or other activities. Homework should be outlawed. Critically acclaimed author Tami Ansary says. That since 1981, the amount of Homework given to sixth graders has increased by more than fifty percent. In 1957, the Russians launched Sputnik (A satellite) into outer space.The new competition made schools try to increase the difficulty of the educations. With harder classes came more homework. Homework takes away from time that kids could be spending with with their families. We will write a custom essay sample on Homework Should Be Banned or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Rather than spending time bonding and building strong family relationships or with friends. A lot of some arguments is over homework. Time is taken away from important elements of daily life.This time is particularly precious in families with two working parents whose time with their children is limited. This time could be better spend going out to dinner, or doing other activities that most families are not able to do because the kids have too much homework. My opposition might say that lots of homework prepares them for the â€Å"real world† and lots of homework helps them to learn the material better. When difficult work assignments are given frequently, it causes students to lose interest in the subject. Negative results can also occur when someone is not able to finish his/her homework.Usually they will resort to copying homework, having others do their assaignments, or cheating on tests. Bad habits like these are likely to follow then through their lives. With no consequences to these actions students will almost always take the easy way out when it comes to homework.

A QA Interview With Film and TV Critic Troy Patterson

A QA Interview With Film and TV Critic Troy Patterson Troy Patterson wears many hats, though hed hate that cliche. Hes a book critic for NP, TV critic at Slate.com and the film critic at Spin magazine. He also written for a host of other publications including The New York Times Book Review, Mens Vogue, Wired, and Entertainment Weekly. Patterson, who calls Brooklyn home, is a wickedly funny and nimble writer who crafts sentences like this one about Jon and Kate Gosselin, the feuding couple at the center of Jon Kate Plus 8: She is a moaning 34-year-old harpy with highlights as wide as mountain-bike tires sporting an asymmetrical haircut suggestive of a wounded stork. He is a sullen 32-year-old layabout whose skate-punk sideburns and gelled forelocks signal boring bad news. And, on the show, both struggle to act half their age. Or read his take on The X Factor: People like to talk about how reality TV attracts exhibitionists. This was literalized last night when a pervert at the Seattle audition dropped his pants, inspiring Paula Abdul to discreetly vomit. If we set him aside, the most memorable rejectees were the geriatric husband-and-wife team of Dan and Venita. They warbled off key through Unchained Melody, wore clothes too transfixingly tacky to rate as vintage, and were mildly lobotomized in manner. If this were a tryout for a dinner-theater adaptation of a David Lynch film, they would have definitely gotten a callback. Heres a QA with Patterson. Q: Tell me a little about your background: A: As a kid and teenager in Richmond, Virginia, I was a big reader Twain, Poe, Hemingway, Vonnegut, Salinger, Judy Blume, detective novels, out-of-town newspapers, Cheerios boxes, whatever. I got hooked on magazines by way of Tom Wolfe and Spy. I went to college at Princeton, where I majored in English Lit and edited the campus weekly. After graduating, I lived in Santa Cruz, California, for a little while, working in a coffee shop and freelancing for the local alt-weekly. Those were the clips I used when I applied for a magazines jobs in New York. I worked at Entertainment Weekly for seven years, where I started as an assistant and later became a book critic and staff writer, and I left EW on my 30th birthday to freelance and to fool around writing fiction. In 2006, I went to Slate, where Im on contract, and subsequently picked up regular gigs reviewing movies for Spin and books for NPR. Q: Where did you learn to write? A: I think that all writers educate themselves through practice, practice, practice. It helps to have good instructors along the way (mine include nursery-school teachers to Toni Morrison) and to hunker down with the usual guidebooks (Strunk White, William Zinsser, etc). Q: Whats a typical workday like for you? A: I dont have a typical workday. Sometimes I write all day, sometimes I write for 90 minutes. Sometimes its all reading and reporting and research. Some days Im running around watching movies or recording podcasts or schmoozing with editors. Then theres keeping up with the news, fending off publicists, replying to hate mail, and staring at the ceiling trying to come up with ideas. Q: What do you most like/dislike about what you do? A: May I quote Dorothy Parker? I hate writing; I love having written. Q: Is it hard being a freelancer? A: You betcha. And success, though dependent on hard work, is also contingent upon pure luck to a ridiculous degree. Q: Any advice to aspiring writers/critics? A: Forget it; go to law school. But if youve got too much passion to resist becoming an arts journalist, then try to learn something about a broad range of history and cultureShakespeare, horror flicks, fashion, philosophy, politics, everything. And dont worry about developing your voice; if you study your elders closely and try to write naturally, itll develop itself.